Author - Artist - Voice Over Actor

Tag: Writers Guild of America

Len Wein – Soldier of Victory

This evening my wife, author Shannon Muir, and I will be attending the 2017 Animation Writers Caucus Annual Meeting and Award Presentation at the offices of the Writers Guild of America in Los Angeles. Events like these have always been special to us because at first it was a chance to meet our creative and literary heroes we have looked up to, then becoming fellow animation writers, and in some special cases becoming close friends.

At these annual meetings we honor a writer who has truly added to the animation industry as a writer and creator. This year our presentation must also be a memorial as the award is being given posthumously to writer extraordinaire and friend Len Wein.The outside world knows him best as the creator of Wolverine and Swamp Thing, but he is so much more especially to a little boy who had to sit for hours in a hospital lobby while his grandparents were being taken care of upstairs.

The hospital chaplain took pity on the little boy who had nothing to do on those old vinyl couches than his homework and so gave me two comic books, Superman and The Flash. They were great, and that gift meant a lot to me, but it wasn’t until I wandered into the hospital gift shop that my life was changed forever.

Along side the magazines the small shop had a few very small comic books for sell. One of which, with the JUSTICE LEAGUE OF AMERICA logo on the top and text at the bottom that read “33 Super-Stars in One Epic Adventure!” with dozens of those heroes jumping of the front and back cover, had my full attention. I convinced my mother to give me the 95 cents to purchase this copy of DC Special Blue Ribbon Digest #11.

Opening those four-color pages I found myself tumbling into a wonderful world of super heroes. Yes, I knew of Superman, Batman, and Wonder Woman from television and cartoons, but there were so many many more. Here I learned not only about the Justice League but also the Justice Society of America, and that there was an Infinite number of parallel earths where more heroes resided.

I was definitely hooked and the DC Universe was my playground from then on.

This digest turned out to be a reprint of JUSTICE LEAGE OF AMERICA #100, 101, and 102, about our heroes on a quest to find seven more heroes lost to the ages.

This great story, that put a boy on a quest to discover all the heroes of the golden age of comics, was written by the great comic book author Len Wein. I would soon be reading many more.

(An interested side note is that Len also edited the Blue Ribbon Digest that it was reprinted in.)

I was not the only one influenced by this comic; fellow comic book writer Gail Simone also marks this story as what began her path into comics.

I learned just the other day that Len himself fell in love with comics as a child while he was in the hospital as well. Though for him it was for medical treatment, but he has stated that those comics and super heroes got him through it.

Now that little boy who sat quietly in the hospital lobby wants to pay his respect to the man who sent towards a career as a comic book and animation writer. I honor you Len for all the stories you have brought to the world, and for being a friend.

Thank you.

Kevin Paul Shaw BrodenFour Names of Professional Creativity

Post Comic Con 2013 Blog #3 or “How not to be a Wallflower.”

I am my own worst enemy.

Aren’t we all?

I can be extremely shy. Not only with people I haven’t met yet, but also with people I really respect and don’t want to come off looking like a fool. That fear has saved me from time to time, but more often than not it has been a hindrance to achieving what I was really after. Letting great opportunities slip away.

In a Comic Convention setting this can be a real problem. So many people wanting to talk with the same people you want to it is so easy just to chicken out.

As professional animation writers, Shannon and I have been able to attend the Writers Guild of America gathering at ComicCon. Over the years we’ve gotten to know several people in the group, and with some it’s really easy to talk with. However even within that environment it can be difficult to talk with others beyond a few words as more and more people crowd the room. After a while we end up standing off to the side and I return to being my usual Wallflower self for the rest of the TWO HOURS as the event goes on.

There’s where the answer lies.

This year, as mentioned previously, Shannon and I were taking the train back and forth to ComicCon each day. This limited our schedule, but that actually turned out to be something good.

In order to attend the party this year, we had reserved tickets on a later train, but were required to be at the station at least an hour early. (Anyone who took the train will tell you just how long the lines were. You’d think they were waiting to get into Hall H.) Because of this we were only able to stay at the party for only the first half hour.

With only 30 minutes we watched the door as different people signed in. Anyone we knew, or wanted to talk to, we immediately said hi to and began to chat. We only got a few minutes with each person, but they were well-spent minutes.

In those thirty-minute we probably spoke with more people than we usually do in an entire two-hour evening. There was no time to become wallflowers.

What I learned from this night is this: don’t plan to stay at the party all night. Set yourself a limited amount of time and with that deadline talk with as many people as you can. Keep moving around, or find a good position near the entrance where people are forced to walk past you. Quickly say hi, make introductions and chat for a while and then let them get on to the food while you find someone else to talk to.

This may not be what works for you, but it will be how I will fight the Wallflower Wars from now on.

Yes, we did catch our train on time and even chatted with more people in line, but more of than next time.

Post Comic Con 2013 Blog #2 – Thank You Roy Thomas

Many of my professional comic book and animation friends on facebook and twitter have commented how this was one of the best San Diego Comic Cons they have had. Each say this for their own reasons, and it’s up to them to tell you why, but let me talk about why this is one for me.

As I’ve written about before, when I first got into reading comics I discovered the Justice Society of America before I really knew the Justice League was more than SUPER FRIENDS. Soon after that I found a comic called ALL-STAR SQUADRON. This book was written by Roy Thomas, and in one way or another included every single ‘Golden Age’ hero that DC Comics owned.

For many years, Thomas had his hands controlling the greatest of characters from both Marvel and DC.

Because as a kid he grew up reading all the original Golden Age characters he maintained a passion for all of them when he became a professional writer himself. I’d like to think I’m following in his footprints.

At the first ComicCon I attended, I was excited to attend a panel on Roy Thomas and his books. Unfortunately, for one reason or another, he couldn’t make it to the panel but con personnel said he was there. So another attendee and I mustered up enough courage to go to the info booth and ask to have him paged. (Realize I was a very shy kid in my early teens. Of course I’m still rather shy in my mid—never mind.) But Mr. Thomas never showed up. I was disappointed, but didn’t have any negativity against the man who controlled all these great characters.

Years later after getting my first job in the comic book industry, I met him extremely briefly while attending Pro-Con in Oakland. (Anyone remember that?) But he and Marv Wolfman were in deep discussion that I didn’t want to disturb him.

(I lost a lot of opportunities over the years because I didn’t want to disturb people. Finally getting over that. That’s a blog post all into itself.)

Finally we reach this year. Shannon and I attended a couple of spotlight panels. One on the artist George Perez, and the second was on Roy Thomas. The panel was moderated by Jon B. Cooke (editor of TwoMorrow’s COMC BOOK CREATOR magazine), and they talked about Thomas growing up and reading comics as a little boy, on to writing and editing for Marvel, and then doing what he says is his favorite book for DC Comics ALL-STAR SQUARDRON.

Yay, me too.

Here’s the cover of the very first Issue I bought:

Getting to hear him talk about all that was really good, but the day wasn’t over. After a dinner at the hotel before heading to the Writer’s Guild of America gathering, we were coming down an escalator and knew we had a limited amount of time. Standing in the corner by the Starbucks in hotel’s lounge stood Roy Thomas.

What feels like the first time in my life, I didn’t hesitate or think about what I was doing, and just went up to Mr. Thomas and introduced myself.

He was extremely friendly as I told him how ALL-STAR SQUADRON not only got me into comics, but also into enjoying history of World War II. That pleased him, because he was always incorporating history into the stories.

I told him how I later worked for Brian Murray who had been one of the artists on the follow up series YOUNG ALL-STARS.

Shannon spoke up saying how as an editor at Marvel, Roy had given a writing assignment to Christy Marx who later became a mentor to her which lead to her own career in animation.

I thanked him and his wife once more and headed off to meet more of our fellow writers. I was walking on cloud 9 almost crying with joy. Nothing could have made this Con better, and yet there were other things that we will be talking about for a long time to come.

Though most of those ‘golden age’ characters have dropped back into the shadows as new generations of writers and characters take over, Roy Thomas and the ALL-STAR SQUADRON will forever be the heart of what makes comics special to me and why I write and draw them.

Thank you Mr. Thomas.

Post San Diego Comic Con 2013 – #Mission818

Well, I’m back from ComicCon and survived being one in 130,000 people on the convention floor.

I won’t tell you how many conventions I’ve been too, and have only missed one in all that time, but what I can say is this may have been one of the most productive cons so far.

Over the next week I plan on writing short blogs about different parts of the con that I experienced. I hope it’s worth the reading.

Shannon and I road the Amtrak Train “Surfliner” down to San Diego and back home again each day. (We didn’t go for Sunday. We needed the rest.) It was a relaxing way to do it, and actually get some writing done. On Saturday we met someone at our hometown train station that was also going to Con, and saw again when we got back late that night. It turned out we had other connections, and this chance meeting may lead into some positive networking with companies down the road. We can only try.

Each day was crowded with people, and sometimes that can be frustrating when you’re trying to keep up with your partner salmon swimming up stream, but it is still fun.

The TV news kept going on about the costumes (or cosplay), but there was so much more to it than that. Though there were some really great costumes. The ones that really got to me were the families. Not just a group of people together, but families. A family that was dressed as Superman/Wonder Woman and Supergirl/Superboy. Another family that was the main pantheon of Star Wars characters. Do what you’re children love, and your children will do what you love.

As stated in my last blog we were going to avoid Hall H and Ballroom 20. However we did make one attempt to get into 20, Steven Moffat was there about the TV series SHERLOCK. The line which began at ground level near went up a long set of stairs and then Disneyland Lined back and forth. We spent 40 minutes in the line, but once the actual program began we knew we’d never make it inside. A friend of ours spent 3 hours in line for the same panel and still never got in.

We never even contemplated going to see DOCTOR WHO in Hall H. Not only getting in line itself can be bad, but also a lot of people decided to camp out in line or in the Hall itself once inside. The simple concept is that you go into see one panel even if you’re not interest in it and stay there until you see the panel you want. Sometimes if you sit in an earlier panel you might discover something new that interests you. Sounds like a good plan, but then you decide to do it for Hall H. Waiting 3 hours might be okay for some, but would you be willing to camp in the Hall our outside the convention center all night long? Well a lot of people did. Not me; no way!

Even avoiding the masses, we did end up in some very good panels. We sat in on one about writing for television and the experience in the “writer’s room.” It was fun that one of our friends was on the panel, would be even more fun if we were friends with the rest of the panel. We got in but the line beyond use couldn’t, this was a much smaller room.

Shannon really got a lot out of a panel on Digital Comics in Schools and Libraries. She’ll be writing her own blogs about that.

There were also a couple of spotlight panels that we attended. Those were cool to hear the people we look up to talk about their careers in their own words. I’ll be writing about one of those later. Of course it was also great to meet people on the floor, in artists alley, they we’ve worked with in the past.

We also attended the Writers’ Guild of America gathering, but could only stay for about half an hour, as we had to get to the train station.

It doesn’t sounds like a whole lot, but the little things are what matters. Each a small part of my #Mission818

We really had a good time.

More Con Blogs to follow.

San Diego Comic Con – A Blog, Finally

San Diego Comic Con Internation

I’ve let over a week slip by before actually beginning this blog about San Diego Comic Con. Sorry about that, guys. Of course, now I actually have to think about something to write about.

First off, I only attended 2 Panel/Events for the entire three days I was there. The big one was for Ray Bradbury. My fiancée and I haven’t missed him for the last 15 years. It would have felt wrong if we had skipped.
The other panel was the Boom! Studios panel on IRREDEMABLE/INCORRUPTABLE. It was great to hear about Peter Kraus and how his comic artist career began and continued. It lets me know that it’s not too late for me either, and if his wife can put up with it, I am certain my fiancée can as well. (Actually, she’s told me as much. Thank God.)
And even more importantly (avoiding being hit by fiancée), am glad to know that writer Mark Waid and I have something major in common. Both of us have a terrible time coming up with names for our characters. It means I’m not lost.

I did miss one other panel I intended to be at. The WGA Animation Writer’s Caucus panel on Feature Animation. My Fiancée said that a young girl asked the most intelligent of questions. (Did anyone blog about that?) I missed it because I had to get over from the train station. When I finally got there the room was full and no one else was let in. I waited in the hall for half an hour.
As any of you who follow my Twitter (@kevinpsb00) know, I trained it down to San Diego each and back home again. It was a nice relaxing way to get down and comic home each night. It also cost lest then one night at a hotel during con season.

Also, I completely avoided Hall H at all cost, and that was before anyone thought to use pens as a weapon to save seats. As much as I love Hollywood, it’s far more important for me to meet with people that watch a bunch of promos.

So exactly what did I do for the three days of Con and not attending any panels, you might ask? Actually, I know you’re not going to ask… moving on.

This was my year for networking and meeting people, or at least as many people as I could. Know I could have done better. And if there is anyone out there that I missed, drop me line. I still have several follow up e-mails to send off.

Had a great time meetings people at different publishing companies, and got introduced to new editors. Some of which have already allowed me to pitch to their books. We can only pray that more show an interest, and that I get hired.

Had a good evening at the WGA’s Reception with my fellow animation writers.

After the Reception I got to see how much comics and entertainment have changed social standings for people. There was a guy in a very bad cosplay out but he had sexy girls hanging off him as he got out of a limo. I don’t know what was gone over there, but know that only a few years ago those same girls would have shunned him.

I didn’t need no fancy cosplay costume to get the girls. I have the most wonderful fiancée who is as much a nerd as I am. And I’m glad she has been with me at Con for so many years.
(No we are not going to have our wedding in costume. Don’t even dare show up in your Stormtrooper uniform.)

Did anyone spot my little animated Name Tag I had on? Let me know. Good thing I had it on because the text on the Con badge was so small no one could read it (when I got home Thursday night I printed up larger text of my name and stuck it on there. They also got my Twitter name wrong). Everyone who said something about my animated Name Tag got one of my handouts, which I was giving to publishers and editors. One side of the card was my bio and contact information; the other side is a pitch for a comic book/animated series I’d like to do. I may post it soon, but can’t promise it right now. I’ll let you know.

Walking the convention floor killed my legs and feet by the end of each day, so I was glad to relax on the train home each night.

The crowds on the floor did seem a little larger then in the past. At times even Thursday felt like a Saturday. But I only had one bad experience with the crowds. I was hoping to meet with someone at Warner Bros. But for reason, and no one ever could explain it, the crowds were so packed around the large booth that it was impossible to get in and be able to make contact let alone have a business conversation. It wasn’t even that busy for the Big Bang Theory gang and the Evil Will Weaton.

All and all, this was really a good convention.

Oh and if you noticed a continuous thread here, that my fiancée is always there. Well she is. And one of these day’s I’m going to stop calling her fiancée, and make her my wife. But I gotta have a job first, so how about one of you wonder comic book publishers or animation production companies hire me. Much appreciated, she’s been very patient with you.

Thanks for reading.
(Oh, and I have no idea why I chose to go humorous route for this blog. It’s not like me. Really.)
(Anyone need a comedic writer, who’s not so certain he’s a comedic writer?)

To 2008 I thank you.

I sit here with only hours to go before 2008 comes to an end, and want to summarize the last 365 days (and 1 second) of my life. But I don’t want to look backwards, because when I do it feels like absolutely nothing happened. This isn’t true, but it certainly can feel that way when I couldn’t find a job. So I refuse to look back with that mind set.

Instead I would like to take a moment to thank people who have helped me in one way or another, no matter how small. As you all know by now, I’ve been pursuing a career as a writer in animation and comic books for a very long time, and it certainly hasn’t been easy, and one of my greatest problems I have is networking.

So I want to thank all the people who have talked with me over the last months, either in person, on the phone, or across the internet.

To the veteran animation and comic book writers who took the time to give me advice. I thank you.

To the president of a publishing company who though isn’t in a position to hire writers, was willing to give advice and point me towards editors who might be able to hire me. I thank you.

To those editors who did response to my e-mails, asking what I had done and was seeking to do. I thank you.

To the editor who not only is willing to consider me to write for him in the future, but also willing to read my series pitch. I thank you.

To the comic book writer and animation story editor who took the time to read my spec scripts. Even though your current series is fully staffed, you were willing to consider me and remember me for future projects. I thank you.

To the studio executives and production staffs that have spent time to talk with me about working with them even though there is no work to be had. I thank you.

To the Human Resource Manager at a TV network who called me for a job I had not applied to, and was very impressed with my resume in ways no one else had ever commented on before. That I was one of only four people in consideration for the position. I thank you. And who was very apologetic when a company wide hiring freeze came down. I still thank you.

To my representative at an employment agency, who was willing to take my angry phone call when they didn’t seem to be doing anything, and explained things more clearly to me. I thank you.

To the animation and film producers from other countries who sought me out through the internet. I thank you.

To everyone at the Writers Guild of America and the Animation Writers Caucus who have always been a great support to me, because they’ve all been the same place I am. I thank you all.

To all my new friends in the comic book and animation industries that I am getting to know through facebook and twitter, I say hello and thank you.

To those of you who have begun to check out my website and web comic. I thank you.

To my family who has supported me through this crazy pursuit. Thank you and and God Bless.

And lastly to Shannon Muir, my writing partner, my love and fiancée, and most importantly my best friend who walks with me hand in hand through this life. I can not thank you enough. We will be married soon!

I may not have gotten a job, or written a comic book or animated episode, or sold a television series, but I have gotten to know a lot of very wonderful people. To you all I thank you, and may 2009 be filled with more opportunities to meet one another and give thanks.

Kevin Paul Shaw Broden
December 31st, 2008

Comic Strip for Writers Strike

As a member of the Animation Writers Caucus, I am considered an associate member of the Writers Guild of America.
This allows me to watch this strike from slightly to outside the battle arena. As a non-voting member of the Guild, I have no influence on the outcome of this strike.  But the outcome of this strike will have an influence on my future and my standing as a member.
Yes, I’ve been on the picket lines, which has been fun and encouraging, as nearly everyone who drove past honked their horns with positive, supportive, enthusiasm.  (I say nearly everyone because I did see a few faces and downward pointed thumbs from people who are clearly not happy with what we are doing.  And I respect that.)
But I do feel guilty for not being there more frequently along side my fellow writers, so I try to contribute where possible.
The Guild is providing a news letter for the picketers called Writers: On the Line, and I am drawing comic strips to be included in it.
That was for Issue #3, I plan to do more.  Though truthfully we would all like to think that there wouldn’t be a need for too many more of these newsletters.
As I said, I can’t always be involved, but along with the comic strip, maybe there is something I can write here in support of my friends. These will be my own opinions on such matters, and I will try not to rehash what far better bloggers have already said.
Best,
Kevin

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