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Tag: television detectives

What do you do without Joe Chill?

What do you do without Joe Chill?

Anyone who has followed Batman knows his parents were killed when he was only a child. Eventually the writers at DC Comics gave the killer a name… Joe Chill.

Joe Chill is the unseen presence that was the goal for Batman. A name for that haunting desire for revenge that kept the Dark Knight forever vigilant on protecting Gotham City. Yes, there would be far worse villains than the weasel face little man; the Joker has killed hundreds of people, but Chill holds more power over the hero than super villain.

Over the years there have been stories where Batman came close to capturing Joe Chill, and in some Chill has been captured, or killed. But all the same he remains the cancer created the Batman. The death of his parents always there when he’s hunting down killers

I bring this up because of a television show I’ve been enjoying for the last few years called THE MENTALIST.

In the show, a serial killer murdered the wife and daughter of our lead character Patrick Jane years earlier. He has been working with the police (The CBI, California Bureau of Investigation. They didn’t want to use the FBI,) helping them solve crimes, but his real desire is to hunt down the killer Red John.

Red John is Joe Chill for The Mentalist.

Last season every episode was building to Patrick confronting or possibly killing Red John. And so that is what happened.

After watching the season ender I was certain the next season would take the series in a new direction. Patrick will have finally solved the case that has been his life for so many years. To me the new season would be: What does The Mentalist do now?

If Batman captures or kills Joe Chill the purpose of his very existence comes to an end. Can Bruce Wayne move on with his life? Can he put the cowl away and lock up the batcave? Or does he keep going because he knows that the mission continues… (forget the fact that many of the super villain exist because Batman exists.)

The Mentalist’s new season began this past week (I’ll try to keep the SPOILERS to a minimum) with him going to jail for the murder at the end of last season. Through out the episode his sanity is questioned, but his team sticks with him to the end.

So once he’s released from jail he should be able to move on with his life, which is what I wanted to see. To see how he can continue help the police (CBI) when he no longer has the obsession. It would be interesting to see the change and development of his character.

But (and here’s the SPOILER), the episode ends on Patrick telling his partner that the man he killed wasn’t his nemesis, and that Red John is still out there.

It was a rather disappointing way to start the new season.

There are two ways that I believe the series will go from here: 1) Red John is alive and manipulated the whole thing, and will show up every so often through the season (usually one of his followers will get involved and not himself.) Been there, done that. 2) The other way is that Patrick Jane’s psychosis won’t allow himself to admit the villain is gone; otherwise he has nothing left to live for.

This second direction is the way I am hoping the show goes will. Because I really want to see Patrick get on with his life, find out that there are more important things in his life than an archenemy. Maybe he might discover things already close by.

There is one more direction his character might take, but I’m pretty certain that a light detective show like The Mentalist would never go, and that would be to reveal that Patrick Jane is Red John. That would be a real depressing way to end the series.

What I really want to see is what happens to Batman when Joe Chill is no longer out there.

In THE MENTALIST what I really want to see is what happens to Batman when he’s finally solved his parent’s murder and Joe Chill is no more.

Kevin Paul Shaw Broden
Four Names of Professional Creativity.

“When They Met, It Was Murder!”

This blog is really going to show my age.

A couple of weeks ago, I wrote a guest blog for the website Para Your Normal about realizing that whatever genre I write in I’m actually writing romance.

For mystery and detective stories, this goes back to when I was the smallest of kids and the television I watched with my parents.

The first came in the form of McMilliand & Wife and follow by Hart to Hart, and I think they played a greater role in my creative mind than many other programs.

There would be many more over the years.

Focusing exclusively on television detective programs, (not including police procedure or lawyer shows), I believe there are three types of Romantic Detectives:

  1. Partners in Crime and the Heart.
  1. Keep it at Arm’s Reach.
  1. The Love ‘em and Leave ‘em.

I could be wrong, but let me go through them in reverse order.

Love ‘em and Leave ‘em – are the shows about the handsome detective who somewhere in the middle of the case he meets the beautiful guest star who needs to help save her father’s business, has been charged with murder, or actually is the murder. Through out the hour we see the two grow closer together and finally kiss (or more), and the heroic detective saves her life. But then next week there’s a new case and a completely new damsel that needs to be saved and swept off her feet. Even as a kid I thought something was wrong in this, “hey, what happened to your girl friend from last week. Are you cheating on her with this new girl or did you just dump her?” Old examples of this loner hero are MAGNUM PI or KNIGHTRIDER and their ilk.

Keep it at Arm’s Reach – These are the stories where the man and woman have to begrudgingly work together and romantic feelings slowly grow between them, but neither willing to admit it to the other. Their sexual tension comes in arguments and jokes while solving the crime. They both will continue to see other people; which breaks the heart of the other each week. The audience keeps rooting for them to get together. This ‘keep them apart’ story thread can work for the first couple of weeks, but if they don’t eventually at least acknowledge their feelings for one another then it’s lost its power. Examples of this are REMINGTON STEELE, MOONLIGHT, and CASTLE.

Partners in Crime and The Heart – Are when our detectives are already in a solid romantic relationship. Usually married. They work together perfectly both at the crime scene and the bedroom. Examples of this are HART TO HART where couple were amateur sleuths who usually just stumbled upon the crimes, or McMILLIAN AND WIFE where he was a Police Lieutenant and he brought his work home and the wife got involved. Most recently there was the short-lived UNDERCOVERS where former spies, now married, are forced back into the game.

Many fans of these romantic detective shows would like to see the “Arms Reach” become the “Partners of the Heart”, but producer and network executives are leery of changing the formula that has been working so far, even if the ratings start to slip after a few seasons. It’s called the “Moonlighting Curse” by some people.

In the fifth season of Moonlighting, our leads had finally acknowledged their feelings for one another, but then ratings began to fall as the season progressed. Later executives supposedly see a correlation between the one and the other and so don’t want it to happen to their shows. In truth, both Bruce Willis and Cybill Shepherd were in the midst of their growing film careers, DIE HARD had just come out, so their schedules never matched up to be able play the scenes together as were required and the stories suffered for it. (Or so that’s how I understand it).

Truth or no truth, the curse haunts some executives. And has been a concern of audiences of the television series CASTLE where our leads obviously fell in love the moment they met, but never said anything about it. Everyone around them, including Castle’s mother and daughter know he loves Detective Beckett and vice versa. Only when she’s near death and in his arms does he finally admit his feelings.

So this new season starting in September (no, this was not intended as a promotion for Castle), the audience waits to see if they will remain at “Arm’s Reach” or finally become “Partners in Crime and the Heart”.

“Partners” is actually my favorite version of the television detective. The solid relationship with the main couple as they solve the murder together. I grew up on Hart to Hart. I would also discover the classic movie, and then read the novel (twice), “The Thin Man” by Dashiell Hammett. The story of a retired detective and his beautiful and rich new wife. Though the title is a description of the murder victim it would stick as the movie spun off sequel after sequel and eventually and television series. They were the perfect couple for crime, comedy and love. All else follow in their wake.

All of this influenced the writing of my pulp series “Revenge of the Masked Ghost.”

Bit of trivia. When I was young watching the first season of HART TO HART, the opening narration by their butler/chauffer Max said the following line “Their hobby is… murder.” Even as a kid I thought that was a dumb, it made it sounds like our heroes were actually the killers. By the start of the second season it had been changed to “When they met, it was murder.” My boy ears were very pleased.

Kevin Paul Shaw Broden

Four Names of Professional Creativity

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