Author - Artist - Voice Over Actor

Tag: The Mentalist

Ring Tones and Novel Writing

With CLOCKWORK GENIE already on virtual stands and book shelves, and REVENGE OF THE MASKED GHOST about to join it in the next few weeks, it’s time to start working on another novel.

The next novel, which I am planning to do a pseudo-NANOWRIMO through the month of February, will be a Young Adult fantasy which I’ve had sitting on the shelf for several years and have decided now was the time to dust it off and make it ring.

Speaking of making the story ring, can someone explain to me the use and necessity of ring tones?

In my story a cellular phone plays an important roll (does anyone call them cell phones anymore, or are they all smart phones.)I’ve been thinking about what ring tones my lead teenager would program into her phone. The more I thought about it, I began to wonder what would be the point.

Why do people have ring tones? Why purchase a song to play when someone calls?

I have had a cell phone (three or four) over the last 15 years, and have always set them to silent or vibrate. Never saw a purpose to have the ringer on.

You want to know when someone is calling you, that’s for certain, but how many of us like to hear when other peoples phones start ringing.

If we’re fast enough, we usually can answer the phone just before the third ring, so why do people want to extend those rings by turning them into songs?

Have you ever noticed that when someone has a musical ring tone, the longer it plays the harder they have in shutting it off and it usually becomes a real embarrassment?

While in the movie theater there is always that slide that comes up repeatedly to remind you to turn off the your phones, or worse that audio clip where every sound in the theater is amplified with every possible phone or noise that could be made.

Recently the Muppets did a very nice version of this before their movie.

Why is this even something we have to think about any more? People’s phones ringing loudly and long, in the theatre, middle of church, a business meeting, or dinner.

Yes, some can hear the buzzer of my phone. Usually when it vibrates through the table or desk. But it’s usually low enough it doesn’t bother anyone. But I do turn it off in the theater.

The other day I was watching a rerun episode of THE MENTALIST, and there was major mistake with the use of a cell phone. The lead of the show has just broken into someone’s home. Only a few feet inside the house, his phone rings. His phone rings. This was not done for comic effect. You’d think that if you were going to break into a house and not want anyone to know you were there, you’d turn the phone off or have it on vibrate. The Folly Department can just as easily drop in a Buzzing sound as it does a ring tone. Other than receiving important information about the B Plot, the use of the phone in the house had no purpose. A woman nearly catches our lead in the house, but not because of the ring tone.

So my question is a serious one, and is research for my novel. How many people actually have audible ring tones? How many have simple ringers, and how many have longer songs?

I’m probably going to ask my teenage niece about this. She is a Young Adult after all.

My next question to her will probably be: Do you actually use your phone, or is it mostly used for texting and facebook? I don’t want to write cliché teenagers in my story, but the phones have become an integral part of their lives.

I may have been rambling here, but in doing so I find that this is all very important to my novel. Not only are cell phones important to the story, but also so is being annoyed by the ring tones.

This has been great talking, thank you for all the help. I appreciate – RING RING – Excuse me, gotta go answer that.

(Oh, like you didn’t see that joke coming from the start of this blog.)

Kevin Paul Shaw Broden
Four Names of Professional Creativity.

What do you do without Joe Chill?

What do you do without Joe Chill?

Anyone who has followed Batman knows his parents were killed when he was only a child. Eventually the writers at DC Comics gave the killer a name… Joe Chill.

Joe Chill is the unseen presence that was the goal for Batman. A name for that haunting desire for revenge that kept the Dark Knight forever vigilant on protecting Gotham City. Yes, there would be far worse villains than the weasel face little man; the Joker has killed hundreds of people, but Chill holds more power over the hero than super villain.

Over the years there have been stories where Batman came close to capturing Joe Chill, and in some Chill has been captured, or killed. But all the same he remains the cancer created the Batman. The death of his parents always there when he’s hunting down killers

I bring this up because of a television show I’ve been enjoying for the last few years called THE MENTALIST.

In the show, a serial killer murdered the wife and daughter of our lead character Patrick Jane years earlier. He has been working with the police (The CBI, California Bureau of Investigation. They didn’t want to use the FBI,) helping them solve crimes, but his real desire is to hunt down the killer Red John.

Red John is Joe Chill for The Mentalist.

Last season every episode was building to Patrick confronting or possibly killing Red John. And so that is what happened.

After watching the season ender I was certain the next season would take the series in a new direction. Patrick will have finally solved the case that has been his life for so many years. To me the new season would be: What does The Mentalist do now?

If Batman captures or kills Joe Chill the purpose of his very existence comes to an end. Can Bruce Wayne move on with his life? Can he put the cowl away and lock up the batcave? Or does he keep going because he knows that the mission continues… (forget the fact that many of the super villain exist because Batman exists.)

The Mentalist’s new season began this past week (I’ll try to keep the SPOILERS to a minimum) with him going to jail for the murder at the end of last season. Through out the episode his sanity is questioned, but his team sticks with him to the end.

So once he’s released from jail he should be able to move on with his life, which is what I wanted to see. To see how he can continue help the police (CBI) when he no longer has the obsession. It would be interesting to see the change and development of his character.

But (and here’s the SPOILER), the episode ends on Patrick telling his partner that the man he killed wasn’t his nemesis, and that Red John is still out there.

It was a rather disappointing way to start the new season.

There are two ways that I believe the series will go from here: 1) Red John is alive and manipulated the whole thing, and will show up every so often through the season (usually one of his followers will get involved and not himself.) Been there, done that. 2) The other way is that Patrick Jane’s psychosis won’t allow himself to admit the villain is gone; otherwise he has nothing left to live for.

This second direction is the way I am hoping the show goes will. Because I really want to see Patrick get on with his life, find out that there are more important things in his life than an archenemy. Maybe he might discover things already close by.

There is one more direction his character might take, but I’m pretty certain that a light detective show like The Mentalist would never go, and that would be to reveal that Patrick Jane is Red John. That would be a real depressing way to end the series.

What I really want to see is what happens to Batman when Joe Chill is no longer out there.

In THE MENTALIST what I really want to see is what happens to Batman when he’s finally solved his parent’s murder and Joe Chill is no more.

Kevin Paul Shaw Broden
Four Names of Professional Creativity.

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