Author - Artist - Voice Over Actor

Tag: producer

Thoughts after Pitching an Animated TV Show. Part 1.

BLOG – Animation Pitch

As promised, here are my first thoughts after having the opportunity to pitch an animated series.

This is not the first time I’ve pitched to television. The first time was a live action sitcom that I pitched to two of the cable networks. There was some interest but no bite, then an animated series to one of the educational networks. No bite or response there.

I can’t tell you a whole lot about the current pitch itself because I expect to hear back from the producer with in the week.

Probably the most frustrating thing of the day was that I was late. Late by only a few minutes, but late all the same. The producer wasn’t bothered by this, but it really shouldn’t have happen. I’m prone to showing up places early, so this was really bothering me as I was stuck in snail crawling traffic. But I can’t let that frustration get to me, admit it, apologize and move on. No excuses.

The next thing that came, as it should, was the casual chitchat. The producer was quite happy to show off how his office was starting to look better since they moved in. They even had their sign up since the last time I was there. We then ended up talking about the fly over of the Space Shuttle Endevour earlier in the day. One of those things that everyone was chatting about that day. (I got to see it while it flew over Disneyland.) He also asked about how things had been with me since the last meeting. I told him about my part time job at the college’s foundation and the scholarships they give out.

Let the producer guide the chat, it’s his time and office, so when the moment is right he’ll ask to know what you brought.

Based on what we had discussed during our first meeting I put together what I hoped would interest the producer. The first was a pitch for a complete animated comedy adventure series. That was followed up with two ‘short subjects’.

I’ll admit right here that I stumbled a bit in my transition between one pitch and another. But once I got past that things went smoothly.

When I was done with my three pitches the producer did mention that he had seen something similar to one of them before. Actually, he had seen it a lot, and he explained when he meant. I’m never one to ride the wave of what’s currently ‘hot’. Know that I won’t be pitching any ‘sparkly’ vampires. The concept of my pitch, however, from what the producer had seen, had been on several people’s minds. Sometimes that happens.

This wasn’t a rejection, and he went on to say that after he read more of my pitch packet, if it had a unique enough hook there was still a change.

Sure I might be disappointed, but I did understand what he meant. I look forward to his thoughts.

He did react and know exactly what I was going after with one of the other pitches. So that was good.

The meeting was short, nice, and very friendly. Even if nothing further comes out of these pitches, it was a great learning experience. I now can put more notches into my animation development belt and work on the next one based on what I’ve learned here.

What comes next? More writing, more developing, and more meetings.

That last part for me is the hardest, the networking and getting to know more people to arrange such meetings, but over the last while I am improving with that as well.

This is all part of #Mission818 and things are going along very nicely.

Right now I’m contemplating if there is a way for me to pitch my novel “Revenge of the Masked Ghost” as a live action series. Now to find the right producers that would be interested in talking with me about it.

Thanks all for your support. Hope to tell you more when I hear back from the producer.

Kevin Paul Shaw Broden

Four Names of Professional Creativity

That was a good movie, I had nothing to do with it

Wow – That was a really good movie, and I had nothing to do with it… kinda.

As part of my continual desire to work in the entertainment industry I have taking many temp job. Not as many as I would like, in the areas I would have liked, or for as long as I would have preferred. They have varied in the different types of companies and departments I’ve worked for.

The jobs have mostly been desk jobs, answering phones, typing, and filing.

One job I had a few years ago was at one of the major motion picture studios. Which in itself is a thrill to me, being able to walk the studio lots is really exciting. I don’t care if I see a celebrity or not, this is where the magic happens. I am part of that magic.

This particular job was actually for a producer and his production company that was leasing offices upon the studio lot. His regular assistant was out and I filled in for a couple of weeks. I answered the producers phones, arranged conference calls and meetings, filed, and arranged delivery of scripts and other required necessities. Another assignment I handled, usually during the down times of the day, is what is called “Script Coverage”.

Numerous scripts are delivered to the producer each day ending up in his ‘slush pile.’ Agents, representing their client writers, send these scripts with the idea that it would be ideal for the producer to consider it for production. The producer, however, doesn’t have the time to read each and every one of these scripts; it just isn’t possible or he’d never be able to get anything else done like produce that movie you worked so hard on to write.

So one of the producer’s assistants (little old temp me at the time) reads the script for him and writes a brief summary about it and whether he should consider purchasing the script and eventually producing it.

While working for him I read multiple scripts, wrote up my thoughts about them and if I thought they would make good movies or not. Two of the scripts were terrible, one was interesting but I wasn’t certain could find an audience in the current market.

The fourth script was a super hero movie. As a comic book fan this was something I could get into even if it was bad. I also recognized why the agent had sent it to this producer for he also has connections to comics. So when nothing else was going on in the office I sat down to read it.

Interesting. This is a super hero movie from the point of view of the super villain. I like. Oh, that next bit was unexpected, and the villain wins. Or does he?

After finishing the script I wrote up my summery and opinion and told the producer that he might like this one, and to consider it.

Several days later my temp job there ended as the regular assistant returned.

A few years have now past and a certain big headed, blue skinned, super villain is stomping all over the adverts for an upcoming film. Okay, another super hero film, cool. Then in the last couple of weeks before the release of the film they start showing a new series of commercials for it with certain scenes that seem very familiar. So I was very curious to see if this was the film I thought it was.

So yesterday, my fiancée and I got the chance to attend a studio movie screening:

MEGAMIND

I sat there enjoying the entire film, and loving the fact that the audience was laughing at all the right places, and the story held together very well.

About ten minutes into the film I no longer had any doubts. Here before my eyes was a successful animated super hero film, and it was the script I had read several years earlier. I got a bit of a thrill of that. Especially since I had written up positive Script Coverage for my producer.

Megamind had an opening weekend as being number one at the box office earning $47.7 million dollars (according to the Hollywood Reporter).

As much as I would like to believe that what I wrote about that original script got this movie produced, I know that isn’t so.

Remember how I said that agents send out copies of their client’s scripts to producers. They do, to multiple producers and studios. The producer I was temping with at that time was probably only one of many that received a copy of the Megamind script. He did not produce this movie, nor did the studio where I temped.

Somewhere out there in the great Hollywood wasteland is another assistant, maybe a temp, who wrote up script coverage, which made it to the right producer at Dreamworks. I tip my virtual Script Reader’s hat to them. Maybe they’ll read one of my scripts someday soon.

Kevin Paul Shaw Broden
Four Names of Professional Creativity

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